1. |
Guernica
04:33
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Draw outlines dedicated to your mind
Think what you want and colour it in
with crayon
And all while Guernica radiates
Prevailing thought dessed up as epiphany
Woe betide you if you start
reading books
And all while Orwell turns in his grave
(Meanwhile they're dropping bombs - structures and systems go unquestioned.
Meanwhile they're dropping bombs - who on earth owns our information?)
But don't give up hope in the face of all the questions that you have
I still believe in the good remains
I still believe in all the good things that you said
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2. |
Dystopia Now
04:17
|
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I've got a ghost
It's the words I spoke
And the steps I took
And the lines I wrote.
I never chose
Haunted by my own memories
Reanimated by the thieves
Vying for control of me
Incessantly.
And I'm asking: "Why? Why are we OK? Why are we OK with this?"
I can't be bought
I can't be owned
But you read my letters and you bugged my phone
When will it stop?
I feel it coming...
All you care about is moving numbers, all those moving numbers.
Dystopia Now!
Why are we OK with this?
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3. |
Floating
04:29
|
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In the middle of the building storm, I
In the middle of the rising sea, you
Your eyes a controlled explosion,
We are...
In the middle of the baying hordes, I
In the middle of the rationing, you
Your eyes a controlled explosion,
We are free and complete
Floating up above the crowd
Floating up beyond the clouds
As the buildings begin caving in, I
As the fire consumes everything, you
Close your eyes and you won't feel a thing
We are free and complete
Floating up above the crowd
Floating up beyond the clouds
There'll be no harm, no enemy
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4. |
[redacted]
02:33
|
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What were those dreams I had?
Have I woken up?
Memories run like tears through your crude make-up.
Was it love or a trick of the light?
Am I dead or alive?
Two and two equals five.
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What We Call Progress Northumberland, UK
Glitch rock philosophers from Newcastle upon Tyne, What We Call Progress make music in the tension between nihilistic
despair and a genuine hope in the power of togetherness.
With samples taken from malfunctioning children's toys, forced rhubarb and twisted live recordings, they build accessible melody and riffs from the unexpected and unconventional.
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